补充阅读吧
Prologue
Karl Marx & Friedrich Engels, 1848, Manifesto of the Communist Party;
Tristan Tzara, 1918, Dada Manifesto;
Philippe Souplault, 1920, Littérature and the Rest;
Situationism
Lucio Fontana, 1946, White Manifesto;
John Reed Clubs, 1932, Draft Manifesto;
Constant Nieuwenhuys, 1948, Manifesto;
Aleksandr Rodchenko, 1919, Manifesto of Suprematists and Non-Objective Painter;
Guy Debord, 1960, Situationist Manifesto;
Futurism
Filippo Tommaso Marinetti, 1909, The Foundation and Manifesto of Futurism;
Umberto Boccioni & Carlo Carrà & Luigi Russolo & Giacomo Balla &Gino Severini, 1910, Manifesto of the Futurist Painters;
Guillaume Apollinaire, 1913, The Futurist Antitradition;
Dziga Vertov, 1922, WE: Variant of a Manifesto;
Architecture
Bruno Taut, 1920, Down with Seriousism!
Bruno Taut, 1921, Daybreak;
本人完全不懂艺术,就谈谈看了一场电影的直接感受吧。
就是看百老汇办德国的影展,看到票都卖完了,然后就买了最后的票进去坐着。第三排最边一个座位,在最近银幕和最边银幕的地方,大场景的俯视和全屏镜头,头要抬得高高的,蛮辛苦的。说实话真想到最后一排的地上去坐着看了,但又出不去。不过只有一秒钟,就秒呆了,被凯特的阵势,和对白的内容。我的天啦,震憾。
一边看,一边根据场景写出这些感受的词语:
1.我在写一份宣言因为我无话可说。开头就强势宣言二律背反。
2.所有当代艺术都是谎言。艺术家哲学家导演的名字。大魔王的脸,震撼背景乐。
3.俯瞰镜头 景观社会 未来 工业废墟 长慢镜头 刻意慢放 激情洋溢的宣言
4.达达主义 现实主义 自然主义 观念艺术
5.凯特的面具 口音 太强了
6.高频词 艺术 速度 要求
7.最后十二个屏幕大合唱
8.独白的节奏让人想起张允菡的新倾向。红色 白色 淡黄色。
若用电影的角度去思考,算不上一部出色的艺术作品,宣言也显得空洞无力,导演想表达的东西太大了,根本无法浓缩成一部电影,但是对于对艺术感兴趣的人,可以当成一部对了解艺术的入门教材之一,开头的宣言有股莫名激动,有种像在某种艺术社团里得气氛,“存在,在别处” (existence is in elsewhere)一下子触动灵魂深处。或许这是大部分艺术家的迷茫困惑的问题……
萨特(存在主义),昆德拉(生活在别处)
When there is a shortage of genuine urgency -- political or aesthetic or otherwise, an established artist makes art by finding an established actress to read out loud established art historical texts, and calls it manifesto.
It doesn't seem to be self conscious of the irony of its commercial gloss, bourgeois opulence, stylish artifice. Is there a manifesto that does not manifests anything new, raw, or real? Is there such a thing as a makeup manifesto?
宣言:神仙打造!大魔王布兰切特背后的男人|朱利安·罗斯菲德
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