这部电影已经看完半个月,各种感受终于汇成了一句话——这是好莱坞写给百老汇的情书吧,至真至诚、沾满了烟酒和血腥味儿的那种。
因为宝冢的关系,我对All That Jazz的感受是熟悉、复杂又抵触。大概是怪我对歌舞秀的一套太过熟悉,怪我因为糖蒜广播的推荐对本片期待过高,加上对男主角过于无感,对导演过分单一的审美(本片所有成年女性角色皆大长腿、没有腰、平胸、眼睛即将大出眼眶,一定要如此刻板选择歌舞片女星吗??)和塑料妆发(甚至还不如宝冢)感到绝望……
总之,第一遍看完
Bob Fosse’s semi-autobiographical picture ALL THAT JAZZ, his fourth feature, gets its inspiration from his real-life heart attack while juggling between editing LENNY (1974) and directing the original Broadway production of “CHICAGO”, here his alter ego is Joe Gideon (Scheider), a theater director and Hollywood filmmaker, is facing exactly the same situation, while slowly being burnt out by his workaholic propensity aided by inveterate drug abuse, chain smoking and skir
“爵士春秋”吃喝嫖赌的老男人的盛大死亡秀
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