看见一个热评说芝加哥抄袭的拜托fosse是芝加哥的编剧
cabaret Chicago都是他的作品可见一斑，这一部结合了蒙太奇手法，之前歌厅是小试牛刀那这部就是集大作之成，由浅及深的谈论生死，有两性探讨和影视圈探讨，真不知道她的女儿会不会活成另一个他。里面的配角角色偏扁平不过仔细想来很贴合，因为这是一部生死之间的回忆录。后面插叙黑人老哥其实也是和电视节目呼应。
Tratner once made a remark on James Joyce's 'A Portrait of the Artist as A Young Man' that:
In every novel, there is a hidden figure of the artist; it could also be a writer, but usually more subtle than that – like a painter, as we saw with Lily Briscoe in Woolf's 'To The Lighthouse'. It could be someone to whom the author relates the most, or it could be an opportunity to make fun of the so-called figure of the 'artist' and their shortcomings.
“爵士春秋”官方的介绍真搞笑！
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