服装、美术和摄影精美绝伦,老勃鲁盖尔的名画活了!影片的画面构图由于恰当的远近透视处理,使画面具有深远的空间感和空气感,画面的动静处理十分巧妙。导演以上帝的视角还原了名画《行往受难之路》的创作过程,同时也揭露了西班牙统治者对基督教徒被血腥镇压。本片绝对是今年最精美的电影!
The film gives dimensionality to minute details of the painting, not so much in the sense that the characters are given narratives and personalities, but in the sense that they given weight through their endless repetition of the extremely mundane of activities. The shots of domestic life are so especially deliberate, creeping, painterly composed and lit that you can almost feel the body heat radiating off each frame. Oh, and there's a bit of a story which attempts to explain the context in which the painting was conceived and the composition of the work itself, delivered in the only, and extremely annoying, dialogue in the film. Overall, watching this is like immersing yourself in examining a painting for one and half hours, which, if you like that sort of thing, can be pretty great.
《受难之路》是16世纪尼德兰地区伟大的画家勃鲁盖尔创作,他借圣经中耶稣受难的故事来影射当时西班牙统治者的残忍以及尼德兰人民的反抗。影片《磨坊与十字架》以实景剧的形式还原并解读了画作《受难之路》创作全过程。其中剧中剧还原画家经历的真实故事,全程几乎没有对白,给观众极大的感受与解读空间;而在画家和油画收藏家作以问答形式拆解画作空间布局的巧思、虚化主题的心机、各中形象的指代等背后故事过程中,剧中剧演员呈静止姿态呼应画作中的位置,让画家的解读更加直观立体。
~剧中剧开演~
夜
mb,这是迄今看过的画面最精致的电影,每一个镜头拉出来都是一幅精美的油画,不得不佩服摄像师傅的功力了,什么姜文、什么艺谋,比起来都只不过文艺范的屁玩意,这个,在我小小的宇宙观里,绝对前无古人了,mb的,也就只能这样了,除了画面,除了道具,除了那个胖丫头,mb的,我还记住了什么?mb的,却谋杀了我整整1小时35分钟!
就像一个善于做作的风情娘们儿,凭窗而坐,酥胸半敞,却满脑袋浆糊。
什么,导演很有才,很有深度?
ok,小爷输了,小爷满脑袋浆糊~~
《磨坊与十字架》糟了,我穿越到勃鲁盖尔的画里了!
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